Book Review: Money Money Money Water Water Water

Money Money Money Water Water Water

Written by Jane Mead

Alice James Books, 2014

ISBN 9781938584046

Money Money Money Water Water Water Jane Mead’s assured hand has snipped exquisite holes in her poems, allowing the unsaid to rise, waver and haunt every line. In her fourth collection, the poet has removed every non-essential word, a mastery of distillation, to create a work of pure potency.

In tercets, mostly (three line stanzas), roaming through lean sections of natural shocks, Mead contemplates environmental and existential immensities in a liminal subtext and never puts a foot wrong. On the left, single tercets with monostich gesture to the right hand poems in language as urgent, wistful and primary as   How much how much where going     and you know exactly what she means.

What can’t be said speaks wholly through absence; connections are deepened through asyndeton (no connectors). Gone, most of a sentence; the word going is allowed to remain, to reappear like the repetitions of the title, or ghosts. Going, going, gone.

Questions don’t need question marks, nether states like “the can-be / and the want” “primitive stalks of might-be / and aftermath” tell all. Known by the spirits of deer, and the dead. Ag reports, pesticides. The effect is transfiguring in a transfigured terroir. Something changes into something else in the space between the going and the aftermath, and in us, as Mead asks her last question.

How much can you subtract now 

How much and still get by

Review by Susan Lynch

© 2014, All Rights Reserved
Advertisements