Contributor News: Jen Knox’s “Don’t Tease the Elephants” Now Available

Dont-Tease-the-Elephants-Front-Cover-260x390Jen Knox‘s (contributor to our first issue) latest short story collection, Don’t Tease the Elephants, is now available as an ebook from Monkey Puzzle Press.

Jen Knox earned her MFA from Bennington College in 2010. She works as a creative writing professor at San Antonio College and copy editor at Frost & Sullivan. Jen mentors for the PEN American Center. She was nonfiction editor for The Bennington Review (2010) and Quiz & Quill (2007); she worked as a fiction reader for Our Stories Literary Journal and now reads submissions for PANK.

Jen’s writing has won the Global Short Story Competition and was chosen for Wigleaf’s 2012 Top 50. Two of her stories have received Finalist status for Glimmer Train competitions and three of her stories have received honorable mention. Her chapbook, The Aquarium, earned finalist status in the Black Lawrence Press’s 2012 Black River Chapbook competition.

Manuel Gonzales wins the Sue Kaufman Prize from the American Academy of Arts and Letters

Manuel Gonzales’s short story collection, The Miniature Wife and Other Stories, was recently awarded the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters.  Congratulations, Manuel!

Natalie Peeterse’s chapbook selected for an Artist’s Innovation Award

Natalie Peeterse’s chapbook Black Birds : Blue Horse, An Elegy (Goldline Press, 2012), was selected for an Artist’s Innovation Award from the Montana Arts Council.
Our Associate Editor, Tristan Beach, reviewed Natalie’s chapbook in 2012. We also published Natalie’s poem, “Sonora” in our latest issue, and the poem was nominated for a Pushcart Prize last December.
We’re proud to have published Natalie’s work, and congratulate her on this recent award from the Montana Arts Council.
Artist's Innovation Award

Book Review: On the Spectrum of Possible Death

On the Spectrum of Possible Deaths
Written by Lucia Perillo
Copper Canyon Press, 2012
ISBN 9781556593970

Lucia Perillo follows up her 2009 Copper Canyon Press collection, Inseminating the Elephant, a Finalist for the Pulitzer Prize and Bobbitt Prize Winner, with another skein of tightly braided magical acts of mesmerizing creative force, beautifully bound. Critics never fail to mention this kaleidoscopic ability Perillo has to raddle the sacred and profane, the deeply personal and mythic universal, the Kotex and the ayahuasca. Raddling, in case you don’t know the word, is the art of weaving. The raddleman was the guy who went ‘round the English villages making those charming wicker fences as seen in Room With a View, although the word also references the quaint practice of tupping, having to do with marking the back end of a ewe after the ram’s done his duty. Perillo doesn’t neglect any reference. She raddles ‘riding the wacky noodles’ (those foam floats ‘old ladies’ use in swim class) with stark renderings of how many of them are shy about their mastectomies in the changing room. And then titles it Proximity of Meaningful Spectacle. She ruminates on her love-hate relationship with death while describing dahlias hit by a killing frost by way of a man looking up from his electric chair mid-execution to announce ‘This isn’t working.’ Raddling.

On the Spectrum of Possible DeathsIn forms exact, iambic here, indented there, slant rhymed, eye rhymed, she interrupts classical proportions with a perfectly placed ‘huh, you know’ and a ‘doesn’t that feel a little ostentatious?’ Only Perillo could have written “Freak-Out” – a three-pager in sectioned couplets, and trump the hefty line ‘what passes through the distillery of anguish…’ with ‘not the monster potion but the H Two…oh, forget it…’ She can wax lyrical with the best of the best, then suddenly grab you by the lapels and get in your face. Or in her own face.

In short, Perillo knows just where to go when and how to get back, like Odysseus, or Homer writing the Odyssey. In fact, he’s in here, or rather, his dog, as is Achilles, Carlos Casteneda and Perillo’s father. His shirt label, which she ‘sees is a haiku […]Traditionalist / one hundred percent cotton / made in Mauritius,’ inspires a raddle of Bashō, scungilli and her father’s ‘death poem,’ Soon I must cross / the icy sidewalk. / Help. There goes my shoe

This is a book to own, to touch, to treasure, to marvel at, to peek under the dust cover and appreciate how the juxtaposition of the cover art (Giotto’sThe Last Judgement), the  plain brown woven hard cover and the red end papers accurately mirrors the virtuosic braiding of Lucia Perillo. A poet who knows her raddle

Review by Susan Lynch
© 2012, All Rights Reserved