Contributor Update: Thomas Dodson’s work forthcoming in The Chicago Quarterly Review

Thomas Dodson’s “The Death of Elpenor” will appear in the next issue of The Chicago Quarterly Review.

Additionally, the magazine Tom edits, Printer’s Devil Review, has just released a new issue.  You can find the latest PDR here.

Congrats on the upcoming publication and on putting out another issue of Printer’s Devil Review!

Check out the lit mag “From Sac”

Check out From Sac, a collective of Sacramento Valley writers. The Executive Editor is Jon Alston (he was also a contributor to our Spring 2013 issue). The journal is open to submissions year-round. You can find out more details here: http://www.fromsac.com/

And check out Jon Alston’s blog here: http://jaawriter.blogspot.com/

Kirby Wright’s latest poetry collection now available from Moon Pie Press

WidowLakeBledKirby Wright has been a regular contributor to The Conium Review, with work appearing in our Spring 2012, Fall 2012, and Spring 2013 issues. His latest poetry collection, The Widow from Lake Bled, has just been published by Moon Pie Press.

He has published several other books, including Punahou Blues, Moloka’i Nui Ahina, and Before the City on Lemon Shark Press.

Our Associate Editor, Tristan Beach, had this to say about The Widow from Lake Bled:

Whether it be a Hawaiian beach or an attic in eastern Europe, each locale is rendered in precise and empathic verse. Wright’s poems are wrought with such care and intelligence — testaments to his mastery of craft.

Congratulations on the new book, Kirby!

Contributor Update: Check out Jonathan Alston’s blog

Jonathan Alston was a contributor to our Spring 2013 issue, and you can stay informed about his upcoming projects on his blog.  He posts a few times each month, often discussing the writing life and process: http://jaawriter.blogspot.com/

Charles Rafferty’s short story collection, “Saturday Night at Magellan’s,” now available from Fomite Press

Charles Rafferty (contributor to our Fall 2013 issue) recently published a collection of short stories with Fomite Press called Saturday Night at Magellan’s.

Charles Rafferty has received grants from the National Endowment for the Arts and the Connecticut Commission on Culture & Tourism. His tenth collection of poetry, The Unleashable Dog, is forthcoming from Steel Toe Books.

His stories have appeared in publications such as Sonora Review, The Cortland Review, Bound Off, The Fiddleback, Louisiana Literature, and Citron Review. His poems have appeared in The New Yorker, Oprah Magazine, The Southern Review, TriQuarterly, Quarterly West, Massachusetts Review, The Literary Review, DoubleTake, and Connecticut Review.

Currently, he directs the MFA program at Albertus Magnus College.

Contributor Update: Emily Strauss’ recent publications

Emily StraussEmily Strauss was a contributor to our Fall 2013 issue.  Since then, she’s been a busy poet, racking up new publication credits.

Since publishing with The Conium Review, Emily’s work has appeared or is forthcoming in the following journals and magazines:

Congratulations, Emily!

Carlo Matos has a new piece posted on Atticus Review’s website.

Check out Carlo Matos’ “Fletching” at Atticus Review.

Carlo contributed to our Fall 2013 issue.  He is the author of Big Bad Asterisk* (BlazeVOX), Counting Sheep Till Doomsday (BlazeVOX) and A School for Fishermen (BrickHouse Books.)

Counting Sheep Till DoomsdaySchool for FishermenBig Bad Asterisk

Book Review: Stray Decorum

Stray Decorum
Written by George Singleton
Dzanc Books, 2012
ISBN 9781938103544

 
Stray DecorumGeorge Singleton releases his fifth story collection with characters who are odd sorts of people, strays in their own lives, while strangely likeable. Upon reading anything by George Singleton, the reader instantly gets a sense of his distinct voice, which is an amalgamation the small town South (as in Flannery O’Connor) and cutting, satirical humor. A first read through this collection makes it clear that Singleton is a dog lover, but most of these stories are more about people who love their animals and how they discover meaning in their lives through their animals. You will not find any Old Yeller plot constructions or any moments where the demise of man’s best friend serves as the climatic device. These stories are smarter than that.

The eleven shorts in Stray Decorum are often simple and commonplace in terms of setting and conflict. However, there is a richness in the characters that Singleton depicts here that is extremely rewarding for readers. The first story, “Vaccination,” begins at the veterinarian’s office while the protagonist, Edward, takes his dog in for his vaccinations. With the most excellent first line in a short story I have read in a while, the story begins, “My dog Tapeworm Johnson needed legitimate veterinary attention.” In the first several pages, the reader is treated with a trip through the interesting and specific ethos of Edward: that of one who respects veterinarians more than human doctors; one who is extremely suspicious of microchips implanted in pets; one who names their dog Tapeworm Johnson.

 
In “A Man with My Number,” a door-to-door salesman tries to sell the protagonist (whose thoughts often drift toward his collection of machetes and bolt cutters) numbers for his house after the protagonist’s street address numbers have coincidentally gone missing. The story seems to be about boundaries and breaking those boundaries. From “A Man with My Number”:

“But my dogs never feel the need to roam. People who know me—people who don’t show up unannounced with a stray wondering if it’s one of mine—know that my dogs somehow understand boundaries. They show up at my house for a reason, then settle in. Dogs seem to sense things we cannot fathom. They know fear, sure, that’s all been documented. But they also know what kinds of people won’t feed or pet them if they (the dogs) run out into the road or chase birds on a whim. Dogs know good music when they hear it, too.”

In “Durkheim Looking Down,” the protagonist thinks his wife’s friends are odd while he secretly uses an electric dog collar to remedy his vocal outbursts during nightmares. A pompous intellectual (who the couples are traveling together to see) triumphantly claims, “Modern dance is to ballet as slam poetry is to literature.” The nuance in character depicted here elevates these stories beyond anecdotes or cheap laughs.

As far as fiction (especially short fiction) goes, I don’t generally seek out comedy. I prefer fiction that is visceral and gritty. So, I’m typically sifting through the steady stream of fiction flowing out of the South. That’s where you’ll consistently find your viscera and grit—not that satire can’t be cathartic and revealing of universal truths that we hope for in good fiction (John Swartzwelder’s short novels are great if you’re a fan of a The Simpsons). I wouldn’t categorize Stray Decorum as specifically comedy or satire, but Singleton’s humor permeates these stories. The humor and delicate social observations serve as the laces that hold these stories together, that elucidates who these characters are and where they fit in the scheme of things. Which, by the way, is exactly what this collection is about: people who are lost, strays, searching for where they belong. And like the animals we are so attached to, these characters want only to belong to someone or something or someplace.

 
Review by Adam Padgett
© 2013, All Rights Reserved
Adam Padgett’s short fiction has recently appeared or is forthcoming in Appalachian HeritageSanta Clara Review, SmokeLong QuarterlyThe Conium Review, and elsewhere. He teaches writing at The University of North Carolina at Charlotte.